Title: U03
Course: Creative Writing Through D & D

Q: Read this passage: "The rogue placed her hand on the treasure chest, but the moment her fingers touched the lid, the stone floor beneath her cracked. A distant rumble echoed through the cavern—something massive was waking in the darkness below." Which tension tool is the author primarily using?
- Backstory revelation to explain why the character is here
- Raising the stakes by introducing a new, immediate threat that complicates the situation
- Using dialogue to slow down the pacing
- Describing the setting in detail to create atmosphere
A: Raising the stakes by introducing a new, immediate threat that complicates the situation

Q: Which of these opening lines uses an in medias res hook?
- Sarah was a quiet girl who had always loved reading. She spent most afternoons in the library near her house.
- The sword was already falling when Marcus realized the king's assassin was a woman he'd trained with years ago.
- There once was a kingdom in a far-off land where magic flourished. Everyone who lived there had special powers.
- It was a cold winter day when the letter arrived. Nobody knew what the letter said yet.
A: The sword was already falling when Marcus realized the king's assassin was a woman he'd trained with years ago.

Q: A character has spent the entire story gathering ingredients, studying ancient texts, and making mistakes that have taught her magical theory. In the climax, she casts a spell using what she has learned to defeat the villain. What kind of climax is this?
- A deus ex machina, because magic is used to solve the problem
- An earned climax, because the character's growth and preparation make the resolution feel inevitable and deserved
- A weak climax, because the character should have won through physical strength, not magic
- A rushed climax, because the story ends too quickly
A: An earned climax, because the character's growth and preparation make the resolution feel inevitable and deserved

Q: A writer has drafted a scene where a character walks into a dangerous meeting with a rival gang. The character sits down. The conversation lasts three lines. Then the character leaves. What is most likely missing from this rising action scene?
- A clear setting description so readers know where the meeting happens
- Complications and setbacks that build tension and force the character to adapt
- More characters present so there is dialogue throughout the scene
- A flashback to explain why the two characters are rivals
A: Complications and setbacks that build tension and force the character to adapt

Q: In a story, a character struggles with whether to tell her best friend an embarrassing secret, even though the friend is spreading rumors about her. What conflict type is this, and what does this conflict reveal about the character?
- External conflict; reveals the character is cowardly and afraid to speak up
- Internal conflict; reveals the character values loyalty and trust, even when hurt, but struggles with whether those values are being honored
- Character vs. society conflict; reveals the character is an outcast
- External conflict; reveals the character needs better friends
A: Internal conflict; reveals the character values loyalty and trust, even when hurt, but struggles with whether those values are being honored

Q: Read this passage: "The door creaked open. Then another. And another. Each sound felt like it took an hour. The footsteps came slowly, deliberately, each step echoing through the empty warehouse." What pacing technique is the author using to slow down the moment?
- Short, fragmented sentences paired with detail that emphasizes every small movement
- Long, flowing sentences that describe many events happening at once
- Dialogue that characters use to explain what is happening
- Flashbacks that interrupt the action
A: Short, fragmented sentences paired with detail that emphasizes every small movement

Q: In a fantasy story, a hero spends three chapters establishing that she will do anything to save her village from a dragon. In the climax, when she finally confronts the dragon, she kills it with one arrow. In the resolution, she returns home as a reluctant hero who doesn't celebrate her victory. What structural problem does this narrative arc have?
- The story doesn't have enough chapters to develop the character fully
- The climax is too easy and unearned compared to the setup, and the resolution doesn't match the intensity of the hero's earlier determination
- The dragon is not a strong enough villain for the story
- Fantasy stories should not include arrows as weapons
A: The climax is too easy and unearned compared to the setup, and the resolution doesn't match the intensity of the hero's earlier determination

In your own words, explain why the best story conflicts don't have easy answers. Use an example from a story, film, game, or D&D campaign to support your answer.

A writer has a scene where a character is about to make a life-changing decision. Describe two specific pacing techniques the writer could use to make this moment feel more significant to the reader.

Explain what kishōtenketsu is and how it challenges the idea that all stories need conflict. Why is it valuable for writers to know about this structure?